In this review we take a look at Sony’s Zeiss-branded full-frame 55mm f/1.8. It’s one of the more expensive 50mm-ish primes available for any camera system and is highly regarded for its sharpness. Let’s see how it handles astrophotography.
I don’t typically use filters for the type of astrophotography you see on Lonely Speck. Filtering for specific wavelengths of light is a common practice for astronomy and deep sky imaging. But most filters made specifically for astrophotography tend to be very specialized and very expensive. Luckily, there’s an option for those on a tight budget: the Hoya (Red) Intensifier (Red Enhancer RA54) Filter. In this short review, we test out the Hoya Intensifier while shooting the Milky Way from Trona Pinnacles, California.
Let’s take a look at Sony’s best selling interchangeable lens cameras ever made: the Sony a6000. In this review we test the a6000’s low light performance and try it out for Milky Way and aurora photography in California, Nevada and Alaska.
In this review, we push the low-light limits of Sony’s premium compact point and shoot. We love the idea of a truly pocketable camera that can also capture photos of the Milky Way, but how good is the Sony RX100 series really? Can it actually compete with a large sensor DSLR or interchangeable lens mirrorless camera?
Sony just released their most affordable full frame prime lens for their E-mount cameras: the Sony FE 28mm f/2. In this short review, we test it out for use with astrophotography along with its accessory SEL075UWC Ultra Wide Angle and SEL075FEC Fisheye conversion lenses.
There’s a new nifty 50 in town. In this short review we test out the Canon EF 50mm f/1.8 STM, Canon’s latest iteration of their affordable 50mm lens. At about $125, it’s the cheapest Canon prime lens available, making it an attractive addition to any Canon kit. Let’s see how it does with astrophotography.
I recently had the opportunity to shoot some astrophotography with an interesting lens: the Voigtlander 15mm f/4.5 Heliar III. With its rather modest/slow/dark f/4.5 aperture, the 15mm Heliar III isn’t the most obvious choice for shooting the night sky, but in reality it actually performed well, especially when paired with the Sony a7II. This review is as much a test of the lens as it is an experiment shooting the Milky Way with a slow lens. Read on for more about my experience shooting the night sky with the Voigtländer 15mm f/4.5 Heliar III.