In this review we take a look at Sony’s Zeiss-branded full-frame 55mm f/1.8. It’s one of the more expensive 50mm-ish primes available for any camera system and is highly regarded for its sharpness. Let’s see how it handles astrophotography.
Sony just released their most affordable full frame prime lens for their E-mount cameras: the Sony FE 28mm f/2. In this short review, we test it out for use with astrophotography along with its accessory SEL075UWC Ultra Wide Angle and SEL075FEC Fisheye conversion lenses.
There’s a new nifty 50 in town. In this short review we test out the Canon EF 50mm f/1.8 STM, Canon’s latest iteration of their affordable 50mm lens. At about $125, it’s the cheapest Canon prime lens available, making it an attractive addition to any Canon kit. Let’s see how it does with astrophotography.
I recently had the opportunity to shoot some astrophotography with an interesting lens: the Voigtlander 15mm f/4.5 Heliar III. With its rather modest/slow/dark f/4.5 aperture, the 15mm Heliar III isn’t the most obvious choice for shooting the night sky, but in reality it actually performed well, especially when paired with the Sony a7II. This review is as much a test of the lens as it is an experiment shooting the Milky Way with a slow lens. Read on for more about my experience shooting the night sky with the Voigtländer 15mm f/4.5 Heliar III.
My review of the Rokinon 24mm f/1.4 is long overdue. The Rokinon 24mm f/1.4 is my favorite, most used lens for astrophotography. Here’s why.
Continue reading “Rokinon 24mm f/1.4 ED AS UMC Review”
My thoughts on using the new Rokinon 8mm f/2.8 UMC Fisheye II lens, particularly for landscape astrophotography.
Can the new Rokinon 12mm f/2.0 NCS CS compete with the Zeiss Touit 12mm f/2.8? Here are my thoughts on this unique lens.