Reviews and guides to help you select the best gear for photographing the Milky Way
One of the most positive changes we have made to our traveling life is learning how to pack light. Here is a video overview and master list of gear I bring with me while I travel the world with my fiancée. All in one fits-under-the-seat-in-front-of-you bag.
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Sony makes excellent cameras. In the last few years, they launched a completely new full frame camera system that has pushed the bounds of digital photography. I switched entirely to Sony gear after first seeing the tremendous low-light capability of their a7S and have enjoyed many outings shooting astrophotography on many different Sony camera bodies since. I have previously recommended Sony gear to countless numbers of fellow photographers looking for the best landscape astrophotography cameras. That is no longer the case. If you want to shoot landscape astrophotography, don’t buy a Sony. If you already have a Sony camera, don’t update the firmware.
Here’s why I no longer recommend Sony cameras and how the latest firmware update made Sony’s a7RII and a7SII terrible for astrophotography.
ISO is one of the three major exposure settings in the exposure triangle of a digital camera. Of the three: shutter time, f/number, and ISO, it is ISO that is probably most misunderstood. Even more so than f/number. In fact, it is a common misconception that higher ISO settings will cause images to be noisier. In fact, the opposite is often true. Wait, what?
That’s right, higher ISO settings alone do not increase image noise and higher ISOs can even be beneficial to low-light photography. In this post, I talk about the craziness surrounding ISO settings, how ISO actually affects exposure and how to find the optimal ISO setting on your camera for astrophotography.
In this review, we put the new full-frame Rokinon 20mm f/1.8 to the test in Joshua Tree National Park, California.
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This is it. Our guide to the best lenses for astrophotography. These are our favorite lenses for almost every interchangeable lens camera system available today. We’ve compiled a “trifecta” of the best lenses for every camera system with options for any budget. If you’re looking for a great upgrade for your camera, a gift for your photographer friends or if you want to start building the best kit available for astrophotography on your current camera system, look no further than this list.
In this review, we take a look at the ultra wide-angle Zeiss Batis 18mm f/2.8 for full-frame E-mount Sony cameras. This premium ultra wide-angle lens is one of the widest f/2.8 prime lenses available natively for the a7 series of cameras.
We love fast wide-angle primes for astrophotography, so the Batis 18mm quickly jumped to the top of our list of most desirable lenses to test. We push the low-light limits of the Batis 18mm to capture nightscapes around the world in California, New Zealand and Australia.