In this review, we push the low-light limits of Sony’s premium compact point and shoot. We love the idea of a truly pocketable camera that can also capture photos of the Milky Way, but how good is the Sony RX100 series really? Can it actually compete with a large sensor DSLR or interchangeable lens mirrorless camera?
In this tutorial, I step through the basic RAW Lightroom post processing method that I use on most of my astrophotography.
There’s a new nifty 50 in town. In this short review we test out the Canon EF 50mm f/1.8 STM, Canon’s latest iteration of their affordable 50mm lens. At about $125, it’s the cheapest Canon prime lens available, making it an attractive addition to any Canon kit. Let’s see how it does with astrophotography.
“The first time I made a photograph of a moonlit landscape, I literally said “wow” out loud. I couldn’t believe how much detail the moonlight brought out of the photograph.” In this tutorial, Tyler Sichelski walks through his process for shooting and processing surreal long exposure landscapes under the light of the Moon.
In this article I review one of the most common problems that affects the design of our camera lenses: aberrations.
I hope to give you practical knowledge about the common technical problems of lens design and how they actually affect your photos. Most of all, this article is here to help you understand one aspect of why one lens will produce a better, more accurate photo than another. It’s an especially nice bit of knowledge to have when choosing equipment for use in even basic astrophotography.
This is sort of a pixel peepers’ article: you could go through your entire photography career and never learn about lens aberrations and be just fine. But if you like the idea of understanding the fine details behind lens performance — and how it affects your photos — this article is for you.
I recently had the opportunity to shoot some astrophotography with an interesting lens: the Voigtlander 15mm f/4.5 Heliar III. With its rather modest/slow/dark f/4.5 aperture, the 15mm Heliar III isn’t the most obvious choice for shooting the night sky, but in reality it actually performed well, especially when paired with the Sony a7II. This review is as much a test of the lens as it is an experiment shooting the Milky Way with a slow lens. Read on for more about my experience shooting the night sky with the Voigtländer 15mm f/4.5 Heliar III.