I don’t typically use filters for the type of astrophotography you see on Lonely Speck. Filtering for specific wavelengths of light is a common practice for astronomy and deep sky imaging. But most filters made specifically for astrophotography tend to be very specialized and very expensive. Luckily, there’s an option for those on a tight budget: the Hoya (Red) Intensifier (Red Enhancer RA54) Filter. In this short review, we test out the Hoya Intensifier while shooting the Milky Way from Trona Pinnacles, California.
Introduction
Before trying the Hoya Red Enhancer filter, I had never used a filter for astrophotography. Other than the SharpStar2 for achieving precise focus on the stars, I didn’t know of an immediate reason to use a filter while shooting basic night photography.
Many dedicated astronomy filters are made to filter out everything but a very narrow band of light, specifically for targeting certain parts of the spectrum, like infrared or Hydrogen Alpha. These narrow band filters are usually best reserved for shooting on a full-spectrum camera or dedicated astronomy sensor. Other more common photographic filters like a UV filter, polarizer or neutral density filters don’t really provide any tangible benefits for astrophotography.
The Hoya Red Intensifier (Red Enhancer RA54)
The Hoya Red Intensifier (Red Enhancer RA54) (also just called the plain “Intensifier”) is a special application filter that’s intended to enhance red and orange colors, particularly for autumn foliage.
The Hoya Red Enhancer is also known as a Didymium filter. It filters out the yellow-orange portion of the spectrum from about 575nm to 600nm. The original application for a Didymium filter is to protect the vision of glassworkers from the bright yellow-orange color of the hot sodium in the glass. As I originally learned from Nick at Noctilove, this type of glass should make a good light pollution filter.
![Hoya RA54 Red Enhancer Intensifier Filter Transmission Curve](https://www.lonelyspeck.com/wp-content/uploads/2016/04/ra54_portrait_transm.gif)
The part of the spectrum that the Didymium filter removes is also the exact color of most sodium vapor lamps, one of the most common sources of light pollution. Many city and suburban street lamps and industrial lighting use these yellow-orange lights. They’re slowly being replaced with LEDs in major cities, but sodium lamps are still one of the most common types of outdoor lighting. Being able to filter out most of this type of light should provides a distinct benefit for astrophotography.
At first glance, the Hoya Red Intensifier filter looks like a pretty plain filter. It’s a relatively clear looking filter but with a very subtle colored tint. It can appear pink, cyan or bluish, depending on the light it’s viewed under.
As far as I can tell, it appears that this filter does not have any anti-reflective coating as reflections off the surface of the filter glass appear to have no colored tint. A lack of coatings shouldn’t really affect most astrophotography but photographers should be aware when using it in other situations; it may cause unwanted reflections, particularly when shooting with very bright light sources in the frame.
Other than that, there’s nothing else to say about the appearance of the filter. It’s a pretty standard looking thing and comes in most common filter thread sizes from 49mm to 77mm.
Testing the Hoya Red Enhancer for Astrophotography
To test the Hoya Intensifier, I traveled with my girlfriend to Trona Pinnacles, California. It’s one of my favorite spots for astrophotography and is the site of our upcoming Lonely Speck Meetup 2016. Trona Pinnacles is a relatively dark sky location but there are still a few distict light pollution sources in the area: Ridgecrest to the west, Trona to the north, and Barstow to the South. Each of these towns create a mild orange glow visible in astrophotos.
Our test was made on a Sony a7S and two different lenses: the Voigtlander 21mm f/1.8 Ultron and the Sony Zeiss FE 55mm f/1.8 Sonnar T*. Each lens was fitted with a Hoya Red Intensifier for its respective filter size (58mm for the Voigtlander and 49mm for the Sony Zeiss).
Test shots were made in pairs: One set of shots was made with the filter removed and another identical set was made with the filter installed. The camera was set with identical settings for each set of shots. All photos were made with daylight white balance, manual exposure and manual focus. Let’s take a look at a first test shot:
Before:
After:![DSC00732](https://www.lonelyspeck.com/wp-content/uploads/2016/04/DSC00732.jpg)
This first test shot was made on the Voigtlander 21mm f/1.8 Ultron wide angle lens. The partially illuminated moon was still visible so the sky was naturally blue. As you can see, the filter noticably reduces the yellow glow created by the sodium vapor lamps of the mineral mining plant in Trona, California. The sky is darker and deeper blue and less hazy with the filter installed. Overall contrast is increased and you can see that the scene is slightly darker, likely since a portion of the ambient light spilling on the landscape is from the light pollution of Trona.
So far so good. The results were immediately noticeable, the filter seems to be doing its job of filtering out some light pollution.
Let’s take a look at another test image, this time of the Milky Way Galactic center, made after I had waited for the moon to set below the horizon.
Before:
![DSC00969-Edit](https://www.lonelyspeck.com/wp-content/uploads/2016/04/DSC00969-Edit-690x1024.jpg)
After:![DSC00939-Edit](https://www.lonelyspeck.com/wp-content/uploads/2016/04/DSC00939-Edit-690x1024.jpg)
This second test shot above was made with the Sony Zeiss FE 55mm f/1.8 Sonnar T*. Each image was made with the camera set to daylight white balance and by stacking 30 exposures to reduce noise. Images are normalized for brightness but post processing is otherwise identical between test images.
And below is a comparison of completely unedited images (exported straight from RAW) that should give you a good idea of the difference the Hoya Red Intensifier can make:
Before:![hoya-intensifier-light-pollution-filter-before-after-2](https://www.lonelyspeck.com/wp-content/uploads/2016/04/hoya-intensifier-light-pollution-filter-before-after-2.jpg)
After:
![hoya-intensifier-light-pollution-filter-before-after-1](https://www.lonelyspeck.com/wp-content/uploads/2016/04/hoya-intensifier-light-pollution-filter-before-after-1.jpg)
If you’d like to see these as straight-out-of-camera RAW files, check out the download link to a zip of 3 before and after pairs of shots shot using the Hoya Red Intensifier. The files included in the .zip below are unedited and exported directly to DNG.
Want to see some RAW before/after files?
Download a .zip of RAW files (65.9MB)
The advantages of the filter become a lot more apparent when shooting the galactic center. The Hoya Red Intensifier seems to have almost completely neutralized the yellow/amber hues caused by the distant town of Barstow. The image with the filter installed shows more variety in color, especially when it comes to the blue, red and orange nebula of Rho Ophiuchi around the star Antares. The photo without the filter still looks acceptable but editing the shot to include a good balance of color would be a lot more difficult to achieve due to the orange tint. Overall, the filter really seems to have made a positive difference in the results and I’m super happy with how pronounced the faint colors are when they aren’t drowned out by light pollution.
What about in heavily light-polluted areas?
In the comments below, Anthony Roggio asks: “Any shots with this filter in a heavily light-polluted setting? Somewhere near a major city maybe?”
I shot the following sample of the constellation Orion in Simi Valley California, near Los Angeles. It’s a pretty heavily light polluted area and the photos from the location initially had a lot of amber tint to them.
Before:
![hoya-intensifier-suburban-light-pollution-before](https://www.lonelyspeck.com/wp-content/uploads/2016/04/hoya-intensifier-suburban-light-pollution-before.jpg)
After:
![hoya-intensifier-suburban-light-pollution-after](https://www.lonelyspeck.com/wp-content/uploads/2016/04/hoya-intensifier-suburban-light-pollution-after.jpg)
The light pollution filter seems to have completely neutralized the amber tint. I still think that the light from Los Angeles was too intense to really start to get some of the faintest nebula detail from the constellation Orion, but it’s neat to see how the filter removes the amber glow.
More Samples Made with the Hoya Red Intensifier Filter
I continued to shoot for the rest of the night with the Red Intensifier filter installed. Overall I’m very happy with how much staturation is apparent across the sky. Nebula are colorful, airglow (the green glow) is saturated and the bright light pollution on the horizon seemed greatly diminished from what I am typically familiar with at Trona Pinnacles. Here are a few more examples made with the filter installed:
Conclusions and Verdict
The results of using the Hoya Red Intensifier on the night sky is subtle but tangible. I very much prefer the results with the filter installed. I never thought I’d find myself thinking a filter as being essential for astrophotography but I think I’m going to keep using one on all my lenses. It’s cheap, it reduces light pollution, it works. Highly Recommended!
Hoya Red Intensifier Pros:
- Greatly reduces the effect of light pollution, neutralizes yellow tinge from Sodium lamps
- Affordable
- Available in most common filter thread sizes (49mm-77mm)
Hoya Red Intensifier Cons:
- Does not appear to have any anti-reflective coating
- No square version available for filter systems
- Reduces some light transmission
Hoya Red Intensifier Verdict:
Highly Recommended! (4.8/5)
Lonely Speck PureNight
We saw some of the shortcomings of the Hoya Intensifier and the requests by many photographers for a square version of the filter so we decided to make our own light pollution filter called the PureNight. PureNight is stronger in filtration than an intensifier, multi-coated for better anti-reflective properties and is now available in square 85mm, 100mm and 150mm sizes.
Links:
- Hoya (Red) Intensifier (Amazon / B&H)
- Make sure you buy one labeled just plain “Intensifier” or “Red Intensifier”. The Blue and Green ones are not the same.
- Voigtlander 21mm f/1.8 (Amazon / B&H)
- Sony Zeiss FE 55mm f/1.8 Sonnar T* (Amazon / B&H)
- Sony a7S (Amazon / B&H)
Disclosure
We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites. We are also a participant in the B&H Affiliate Program which also allows us to earn fees by linking to bhphotovideo.com.
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Believe it or not, Lonely Speck is my full-time job. It’s been an amazing experience for us to see a community develop around learning astrophotography and we’re so happy to be a small part of it. I have learned that amazing things happen when you ask for help so remember that we are always here for you. If you have any questions about photography or just want to share a story, contact us! If you find the articles here helpful, consider helping us out with a donation.
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Thanks so much for being a part of our astrophotography adventure.
-Ian
Ian,
In your expert opinion, do you believe that a Tiffen Enhancing filter is basically the same thing as the Hoya Red Intensifier? I cannot for the life of me find a 77mm Hoya anywhere on the entire Internet, or even at any local shops. Would love to get my hands on one prior to a trip I am going to take to the Sierra Nevada’s in early July.
Thanks,
Anthony
Yes, I believe that the Tiffen should give very similar but maybe not identical results. All of them use Didymium in the filter and that should affect the spectrum similarly. Color balance might be slightly different between glass manufacturers.
On another note, and for others follwing this thread, I’m in the process of trying to source raw Didymium glass for manufacturing square style light pollution filters myself as a new Lonely Speck product alongside the SharpStar2. I’m still in talks with glass manufacturers but I have made good progress at finding ones that I think will be relatively economical, maybe even competitive of I can get enough demand. There’s still a lot to do (testing, packaging, etc.) but we’re going to try to make it happen.
Just got two filters, one of them was Hoya. The Hoya seems to work almost to good…
Incredible, the stars are back even in a light polluted sky.
For me (Belgium) it was impossible to get buy this filter in Europe, so ordered the filter (52mm) at EventCameras.com and had the filter after 14 days without any problem!!!
So ordred immediately some other diameters, don’t like to change them to much in the dark…
Also working on a possibility to mach such kind of filter to the Samyang 14mm, should say work in progress….but I’m almost very confident it will be OK.
Will only test and work with Sony A7, A7r or A7s in the first place…
So it’s 22:47 and still rather clear, I’ll have to wait another hour or two (Belgium) to get darker a sky…impatient and we will see.
Sorry about the incomplete website..
Norman: Learn a lot form you and thank you for sharing your experience !!!!
In London It’s totally out of stock. Couldn’t find it anywhere in any size.
Thanks Ian :p
Yes, if you purchase this filter and it looks green or blueish don’t worry. Its just the lighting you are viewing it under.
Thanks to Event Cameras for pointing this out:
The Red Enhancer is the only Hoya Intensifier that receives the red “Intensifier” sticker that is in the upper left hand side of the filter case.
The UPC code on the back of the filter case, which should be: 024066017345.
Sure enough mine looks green indoors and blue outdoors. UPC and sticker are correct. Histogram indicates that there is more red and green with the filter on than without. Is that to be expected? I would have expected only more red.
Nice review Ian. I just bought some for my setup. A 77mm and a 67mm. They are not the Hoya ones though. They are made by SunPak.
Hello Ian,
Which would you recommend for M.W. shots, Samyang 14mm that cannot use this filter or Samyang 16mm that can use a 77mm version of this filter. Thank you.